Mr. Epp - "Of Course I'm Happy. Why?" 7-Inch
Mr. Epp - "Of Course I'm Happy. Why?" 7-Inch
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By 1982, the loud, fast rules of hardcore
had calcified into loud, fast clichés. The
era's generic thrash bands were growing as
predictable as anything in the commercial
mainstream and what once felt raw and
exciting was now an artistic cul-de-sac.
But the humus of that creative stagnation
nourished stranger-smelling flowers at
the outer edges of the garden: Groups
like Flipper, the Church Police, No Trend,
and Mission for Christ dealt in slow,
grinding dirges peppered with surreal,
smart-assed words that mocked the
conformity of both the so-called punk
scene and society at large. They
infuriated the kids who reveled in
preening, slamming, and shouting
empty political slogans but they
immediately hooked the brainier and
freakier factions within the audience.
Named for a high-school math teacher,
Mr. Epp and the Calculations were the
Seattle area's prime practitioners of
sarcastic, zonked, and oddly poignant
slop. Featuring vocalist and occasional
guitarist Jo Smitty alongside guitarist
and occasional vocalist Mark Arm, they
tickled the American underground with
"Mohawk Man," a deadpan swipe at an
increasingly vapid subculture set to
shivers of post-no wave feedback and a
cavernous, tom-heavy beat. The quartet's
lone seven-inch EP, Of Course I'm Happy.
Why?, paired this delightfully blasé
satire with four apoplectic rants, most
notably the rabid "Wild Youth on Money."
Alas, the resulting hubbub was pretty
short-lived. Mr. Epp fell apart in early
1984 and has remained a well-kept local
secret despite the accomplishments of
its alumni: Arm and late-period guitarist
Steve Turner went on to something
approximating fame with Green River,
the Thrown Ups, and Mudhoney; Smitty ran
the Box Dog label and oversaw various
Northwestern noise projects; bassist
Todd Why? became the singer in Atomic
61; and drummer Darren Mor-X joined Steel
Pole Bath Tub.
After commanding stupid collectors'
prices for decades, Mr. Epp's EP is
finally available again courtesy of Full
Contact, the vinyl imprint of Finland's
Ektro Records with an ear for regional
obscurities. We strongly encourage you to
grab this reissue, crack open a beer or
10, and laugh at your lame, sanctimonious
peers while pondering the immortal question
posed by the lyrics to "Red Brigade":
"But wherein lies the solution/ In free
thought or bogus revolution?" The answer,
my friend, is as obvious as you are.